Danceroutes provided a loose umbrella for many cultural activities," Rekha signs off. Explaining how over the period of time, people have forgotten the connection between dance and yoga, the author says, "This linking of dance and yoga is not new! Yoga has been the fundamental building block of Indian art for centuries. Odissi introduced me to a new world of philosophical ideas and beauty that has led me on an incredible journey ever since. There were many road blocks, but they all served a useful purpose. It has provided their endeavours with not only a moral authority, but also a significant source of genuine inspiration."The Odissi dancer now lives in the lap of nature near Puducherry and enjoys the company of her many pets. "I live and work mostly from a studio-residence in Skandavan which is a beautiful two-acre garden near Auroville, with my husband, Michael, two dogs, a cat, several chicken and two big fishponds. So every day is always busy from very early morning onwards. Initially, my foundation was built on the teachings of Guru Madhavi Mudgal along with Guru S. The book came from my need to put my ‘body-identity’ and its conditioning into a clearer perspective. Starting from the mudras, to the various position and alignment, many things are similar in yoga and our classical dances. The book provides an account of the classical dance, Odissi’s temple culture and its various techniques. We came from very different worlds but gravitated towards doing things together that were unusual in Odissi. Talking about her gurus and their contribution in her journey, Rekha says, "I studied with three teachers intensively over 17 years. The process of refining any body movement skills and aspiring for excellence, is by itself very naturally ‘yogic’." However, with rapid westernisation, the classical dances of India are not given as much importance as they should get.. But that will only happen if they are better understood. But, I am very grateful, that my mother and after I was married, my husband, have been very supportive of my dancing. Both Madhaviji and Trinathji were students of Guru Kelucharan Mohapatra, whose classes I attended only sporadically, but that made me a disciple in his gurukul as well. She also runs a dance institution called Danceroutes, which is shaping the Indian dance for the contemporary world." For centuries now, the tradition of gurukul, has been a part of our culture. Talking about her first step in Odissi, Rekha says, "I was 15 when I first discovered both Odissi and https://www.zhongtianelec.com/product/lamps/colorful-bluetooth-audio-lamp.html the Gita Govind. Discussing the same, well-known Odissi dancer Rekha Tandon has come up with a book — Dance as Yoga: The Spirit and Technique of Odissi. In essence, yoga is the union of matter and spirit. In fact, I would not have discovered Dance Studies at Laban in the UK but for certain situations!" Talking about what prompted her to write the book, Rekha says, "The physical body, no matter how beautiful, is limited in actualising true and stable happiness. Shedding light on the dance form, Rekha says, "Odissi is from the state of Odisha and draws its inspiration from ritual temple dance. In the second chapter, The Guru’s Path, Rekha sheds light on the various gurukul parampara that exist in Odissi." Although, India is known for its vast culture which includes various classical dances and music, it is not easy being an artiste in this country.Dance as yoga by Rekha Tandon Rs 1495, pp 224 Niyogi Books"I was attracted by its beauty of lines, and sensual-spirituality. He was living in London before that and worked as a contemporary musician and composer." She further adds, "Guru Trinath Maharana gave me the space to take ownership of what I had learnt. But, Rekha says, "Dancing has always been about getting into a state of mind where my identity, circumscribed by the limited physical body, dissolved. We inevitably always have guests or students living on the premises as well. It was created soon after Indian Independence, spurred by the new cultural efflorescence in other parts of the country." Having started dancing at a tender age of nine, Rekha shares that on occasions she feels one with the god when she performs. The book mentions that the individual dancers in the Odissi tradition have retained the basis of bhakti or devotion in their presentation of this art form.N." She further adds that she was drawn to the gracefulness of the dance when she was 15 years old. When I can, I enjoy watching movies, reading or just being with the animals," Rekha says. Jena. "While growing up, my thought processes were often in conflict with whatever was acceptable. "I started Danceroutes with Michael, in Bhubaneshwar in 1997. Yoga has made such a strong impact on global consciousness, and all Indian classical dance forms embody yoga," she says, adding, "This integral connection will acquire more widespread acknowledgment and as it does, I am sure more people will gravitate towards them. This was after having already learnt other dance forms, including western ballet for six years. She started learning the art form and says that her mother and husband have been very encouraging. People see dance, of any kind, as a form of entertainment and expression alone.Many Indian dancers would agree that Indian classical dances and yoga have similar roots and tales associated with them. It seemed to combine contrasts effortlessly — strong, defined lower body footwork with a very fluid, curvilinear upper body that was perfectly amalgamated," she explains. But, my present understanding of Odissi techniques is the result of meticulous training, which I did subsequently over eight years with Guru Trinath Maharana. "Yes, our classical dances are very beautiful and they need to be given more importance. For this, the mind and emotions have to be observed and transformed as well, and writing is such a great tool to do that." Post this, there was no looking back for Rekha. Rekha agrees that more and more youngsters are picking up western dances over Indian classical
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